It’s been awhile since I’d seen any Twilight Zone episodes, so I was excited to see that Netflix has nearly 140 Rod Serling-era episodes on instant watch. Whatever is not up on the instant watch, I’m sure I will be able to find in my brother Patrick’s collection. He literally has every episode of the entire original series and, if I am not mistaken, has seen all of them at some point or another, possibly twice. Anyway, since Maddie had never seen an episode of the show, I felt it only right to introduce her. Last night we saw three episodes. I was immediately entranced with the series just as I had been years ago when watching them late night on the Sci-Fi Channel, and Maddie really enjoyed the episodes as well. As an ongoing feature here at the blog, I will rate the episodes as I see them. Hopefully, as time goes by, you’ll be able to check back here and get a nice overall guide to the entire series. Once all episodes are watched and rated, I will make a main page with chronological listing from season one through season five.
Of course, a large part of the fun in watching Twilight Zone episodes are the twist endings and surprises. To not spoil the story and thematic representations of the individual episodes, I will only give brief overviews of the plot. Hope you guys enjoy, and now for the first three:
Season 1, Episode 5 – “Walking Distance”
★ ★ ★ ★
Released on October 30, 1959, this episode was directed by Robert Stevens, written by series creator Rod Serling and starred actor Gig Young (eventual Academy Award-winner for Best Supporting Actor in 1969 for They Shoot Horses, Don’t They?, whose career later ended in tragedy). Young plays a middle-age advertising executive from New York, Martin Sloan, who is traveling back to his hometown on a whim for nostalgia’s sake. When he arrives, however, he finds that the town is just the same as he remembers it and, eventually, realizes it actually is the same. He has traveled 25 years into the past, where he runs into his mother, father and former self.
The direction of this episode and cinematography by series DP regular George T. Clemens is amazing. The final scenes, with their dutch angles and atmospheric lighting, create an intriguing dream-like effect. Time Magazine later rated this episode as the eighth best of the series.
Season 1, Episode 8 – “Time Enough at Last”
★ ★ ★ ★ 1/2
Released on November 20, 1959, this episode was directed by John Brahm, adapted by Rod Serling and starred actor Burgess Meredith (probably best known as the coach in the Rocky series or Jack Lemmon’s father in the Grumpy Old Men series). Meredith portrays bookworm bank teller, Harold Bemis, who is constantly in trouble at both work and at home for his insatiable reading habits. While retiring to the bank safe to satisfy his desires, a Hydrogen bomb wipes out everything above ground. Bemis exits the safe and realizes that he is the only person left in the world.
This episode is based off the short story of the same name by Lyn Venable and won director John Brahm a DGA award for excellence in television directing. Meredith would go on to appear in several other episodes in the series and this episode is consistently rated as one of the best of the series.
Season 1, Episode 18 – “The Last Flight”
★ ★ ★ ★
Released on February 5, 1960, this episode was directed by William Claxton, written by Richard Matheson (of I am Legend, Stir of Echoes, Incredible Shrinking Man, etc. fame) and starred British actor Kenneth Haigh. When Flight Lt. Decker (Haigh) gets lost over France during World War I in 1917, he lands his plane at an air force base. Unbeknownst to him, he has landed at Lafayette Air Force base in 1959. The Major General of the base at first thinks his outfit, plane and story are some kind of joke. In the end, however, they realize he is not joking and this chance landing in another time is important in helping Flight Lt. Decker do the right decision in his own time.
Though not necessarily as flashy or well-revered as the other two episodes I reviewed today, I really liked the plot of this one. It kept you interested from beginning to end and Haigh’s performance was perfectly on par.