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I’ve Started a Second Blog!

1 06 2013

735453_10100527795815001_1731267763_oThis is not really movie related, but I did want to let all my followers over here at Notes on a Film know that I have started a second blog that will run in conjunction with my updates here at Notes on a Film.

Outside of movies, music, golf and being a car enthusiast, I am also a really big pinball nut. I know, I’ve got too many hobbies; my wallet reminds me of that every day. Lately, however, my engagement in the pinball hobby has been in full swing, and I felt it might be nice to have a blog devoted to that interest to cover my collecting adventures, tournaments, game reviews, repairs and anything else related to the playing and collecting of pinball machines. In reality, both of these blogs are partially just a great outlet for me to get some time in one of my other big hobbies: writing.

So, if you have ever thrown a few quarters into a silver ball machine, are a seasoned enthusiast  a collector, or heck, never even seen or heard of one (!), cruise on over to: http://www.thepinballreview.com. I just started it yesterday, so it’s pretty sparse right now, but will continue to get updated regularly as well as here at Notes on a Film getting a renewed portion of my time.

I hope you enjoy it, and feel free to subscribe, bookmark or check back regularly to both of my blogs!

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Latest Commercial Project Wrapped!

2 09 2012

For those of you who don’t know,  I serve as the Video/Web Specialist for a privately owned commerce company in Winston-Salem, N.C., Inmar, Inc.  One of the recent projects that I worked on was a commercial spot to try to explain exactly who we are and what we do.  Here’s how trying to answer that question usually goes (hang in there): We are a B2B commerce company that operates three individual, though collaborative, networks; those being Supply Chain, Healthcare and Promotions.  In the Supply Chain leg of our business, we handle recalls, remarketing, reverse logistics, returns, hazardous waste management, business intelligence and supply chain consulting.  For Healthcare, we operate much the same, but with emphasis on healthcare and pharmaceutical businesses. For Promotions, we reconcile and offer a multitude of services for both paper and digital coupons.  Gets a bit verbose, eh?

To remedy this situation a bit, I was tasked with creating a :90 to 2 minute spot that helped condense this down and make it more manageable for the everyday person who was unfamiliar with our business. The average person, however, doesn’t always understand the intricacies of a B2B business, so what would be the best approach?  Well, I thought about it for a bit, and what is the one thing we all are?  Consumers.  With the idea of basing the project from the point of view of the consumer and how we touch the transactions that consumers use everyday, we entered into a series of meetings with our writing team and VP of Communications.  One of our writers, Steve Eller, was nominated for the actual writing of the script.  Once his first draft was in, several revisions were made by various people in the company, and within about a week we had a solid script in place.

The script was to a final draft in very early August.  However, a goal was set to allow our CEO to take this video with him for the GMA Executive Conference – that conference began on August 25th.  The script broke down to approximately 9-11 roles, 4 locations and a voiceover underneath.  I was pretty confidant in being able to find the actors, but the 4 locations, which included a residential home, grocery store, pharmacy and returns counter, would prove more difficult.  Furthermore, I was directing, shooting, producing and editing the project; but, not the first time I’ve been on a tight deadline, so I was happy to take the challenge.

The first order of business was casting our lead actress, who ended up being someone I’ve worked with as both a DP and a director in the past, Lisa Sain Odom.  Getting an actress, who appears in every scene of the spot, that I was comfortable with, and who, likewise, was comfortable with me, was paramount.  From there, I hired out another actor I’ve worked with on several occasions, Tommy Trull.  For their children, we used one of our graphic designers, Kristen Hansen’s, kids.  Knowing the residential home would be the easiest location to fill, I set out asking around the office who was open to a small crew and cast taking over their home for a day.  Our head writer, Shannon Hanington, graciously obliged.  For help that day, I hired out longtime colleague Dan A. R. Kelly, who is literally a film production extraordinare, to be my second set of hands and eyes on set.  Our writing team, Greg, Shannon and Steve, were also on hand to help out.  The first and last scenes were shot at this location, and the first day proved a smooth and easy day for both cast and crew.

The second day on the books ended up being the returns counter segment.  At first, I was very concerned about finding this location; well, let’s be honest, I was concerned about all the other locations outside of the residential home.  But, luckily, Inmar has an in-house digital display that our clients can go through that helps show how our software and technology systems work.  Steve and I went over to see if this looked close enough to what a returns counter would at a store, and thank goodness, it looked great.  Being on site at our headquarters, it was easy to book this location, and the two actresses for this part were none other than our gracious host for the residential scenes, Shannon Hanington, and our Communications Intern, Karla Barnes.  Outside of having to send Greg out for some tough green to match the overhead fluorescents, we had another easy setup/easy shoot day.

Now, we get to the hard locations: a grocery store and a pharmacy.  After multiple false starts on both of these locations (who would have thought a grocery store and pharmacy would be so hard to get permission to shoot in?  We even had a budget for the locations!), I finally found two that would work.  The first, was a member of the IGA, Cedar Lodge in Thomasville, N.C., who I can’t speak highly enough of.  They were so gracious and open in letting us shoot at their store, I really can’t thank them enough.  Being that we needed to shoot once the store closed, our shoot day (night) for that ended up being from 8pm-midnight.  Knowing I didn’t have enough in the budget to replace overheads with color balanced tubes, or cover with 1/4 magenta, I had to use the fluorescent fixtures overhead as part of the scene.  I supplemented the ambience with a Jokerbug 800, gelled with full plus green, bounced into beadboard, and accented backlight with two in-house ARRI 650w fresnels, gelled with a 1/2 blue as well.  For this day, as well as the pharmacy shoot, another longtime trusted film colleague was on set to be my extra set of hands and eyes, Shane D. Smith.

My supervisor found us a pharmacy in her hometown the day before we were going to loose our lead actress due to availability – what luck!  The pharmacy we used was Mt. Pilot Drug in Pilot Mountain, another perfect location, and likewise, very gracious owners who didn’t mind our taking over the place for a few hours after closing.  Again, we shot in the late evening, and a very similar lighting setup was used for these scenes as was done in the grocery store with the Jokerbug 800 and the ARRI 650s.  Since the shoot took place over 5 separate days, over a two week period, I had already begun assembling the cut.  Furthermore, I got the voiceover done by professional VO artist Mark Cardnella (http://cardnella.com/), very early on so I could layer footage as it came in.  So, post on the last few scenes wasn’t too rough.

I ended up finishing the project about 3 days ahead of schedule.  Of course, there were some revisions needed as with any project of this size and scope; the final revisions were submitted Thursday late evening before our CEO was to leave the following day.  But, the video made it with him to the conference and, from what I heard, went over very well.  That’s all that really matters in the end, and makes all the stresses of a tight deadline all the more rewarding.

For those interested, here’s a link to the finished cut:


TECH SPECS:

Camera: Sony NEX-FS700 with 18-200 stock E-mount lens

Capture Resolution: 1920×1080 24p

Post: Adobe Premiere Pro CS6 with process shot and outro graphic composed in Adobe After Effects CS6.  Grading completed in Adobe Speedgrade CS6.





Production Heavy, Just the Way I Like It!

4 07 2012

From our hottest day on Friday. This was the morning though, when it was still reasonably cool.

So, for the last few weeks, I have been super busy with a number of productions, which is always an excellent thing!  With intent not to bore, I’ll give as much run down on the last few projects I’ve been involved in, without comprising any confidential details about the projects or who was involved in each production specifically.

First up, Down Fenix Media, LLC officially wrapped production on a three-video series for a very large client, who will remain unnamed since I haven’t cleared anything with them, this past Sunday.  We had spent the Saturday before filming at the large Farmer’s Market outside of Greensboro, and then spent two additional days shooting various material at the Arboretum near downtown Greensboro, and one day of interiors at our lead actresses’s apartment.  All days went really smoothly, and it’s a good feeling to have everything in the can on this project.  It’s currently being edited by our resident editor extraordinaire Bryan R. “Higgibaby” (not an official nickname, he will likely punch you if you call him this…he punches me often for it) Higgins.  In other DFM, LLC news, look out for our new (and much improved) Web site coming very soon!

Following those two shoot days over the weekend with DFM, I was back in the office at Inmar Monday morning, and busy with an array of exciting projects we have/had going on.  On Tuesday, I traveled with one of our in-house Communications Writers, our Associate Marketing Manager for Digital Promotions and our Assistant Events Planner, who happened to be pulling double duty that day by also serving as an actress, and headed down to Trailblazers Studios in Raleigh.  There, we were shooting a teaser for our Digital Promotions network, but again I will leave very open ended, because I don’t want to leak too much information….just believe me, exciting stuff!  I was really impressed with Trailblazers, a beautiful and very well-built studio – a rarity for this area!  Also, that day, I was wearing a bit of a different hat than I am used to on set – playing a co-producer/technical advisor role for my company.  It was fun coming at a project from that angle, as I find it exhilarating to try out different roles once in awhile, but my technician side got the best of me a few times and I jumped in to Dolly Grip on a few of the moving shots, since I saw the need arose.

Wednesday, I was swamped in pre-production for another series of three videos, but also part of the same Digital Promotions Network campaign.  We shot this series of three videos with the help of a local LLC, and great bunch of guys, at a perfect location for the stories, the Riverpark at Cooleemee Falls in Davie County, on Thursday and Friday.  Thursday and Friday’s shot lists were completely day exteriors, all 95+ degree weather, so it definitely comprised of some HOT shooting conditions, but everything went smoothly and we popped off the final shots right before we had to leave the location at 4 p.m. Friday afternoon.  In addition to serving as a liaison between Inmar and the contracted LLC for the shoot days, I also got the opportunity to gaff on set, and it was nice meeting and working with the crew and cast on both of those days.

Candid Photo from Thursday’s Digital Promotions Shoot.

Following the grueling heat of Friday’s shoot, I began a five day July 4th staycation, which is finally winding down today.  I’m happy to report that my novel is nearing its final few chapters of the first draft, and look out for some new reviews here on the blog in the coming days.  Thanks for reading and please enjoy a few of the quick production stills I popped off on my iPhone during our shoot days on Thursday and Friday!





Official Online Short Film Release: Philip K. Dick’s “Beyond the Door”

22 05 2012

It is with great pleasure that I officially announce the online release of my directorial debut, “Beyond the Door.”  The film was produced by myself and Dan A. R. Kelly, and stars Lisa Sain Odom as Laura, Reid Dalton as Larry and Eljiah Chester as Bob Chambers.

Shot over Labor Day weekend in 2010, the film went through a lengthy post-production phase, largely in part to my hectic schedule at the time.  The film was shot by the very talented Jeff Stepp, had production design by UNCSA alum Antonia DiNardo and the score and sound design was completed by Down Fenix Media, LLC member Jon Fredette.  Without the generous contribution of all these people, the rest of the crew, my brother John Mandrano and many others, I could have never completed this pet project.

The budget was completely out of pocket; if memory serves me, somewhere in the $3,500 range.  For some that’s not much, but for me at the time that was quite an undertaking in congruence with my regular bills.  Though it was a lot out of my pocket, all the wonderful people who helped me complete this film took huge cuts on their usual rates, some helping for no pay at all, and for that I am eternally grateful.  Over the three days of shooting, no day was less than a 12 hour day and our middle day was close to 17 hours, so it definitely wasn’t a cake shoot.

Anyway, I’ve got several posts on here that dig a little deeper into the production of this film if you are interested in checking them out, namely here and here.  So, without any further adieu, rambling or behind-the-scenes dialog, I present you with my directorial debut and the adaptation of the Philip K. Dick public domain short story “Beyond the Door”:








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