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Production Heavy, Just the Way I Like It!

4 07 2012

From our hottest day on Friday. This was the morning though, when it was still reasonably cool.

So, for the last few weeks, I have been super busy with a number of productions, which is always an excellent thing!  With intent not to bore, I’ll give as much run down on the last few projects I’ve been involved in, without comprising any confidential details about the projects or who was involved in each production specifically.

First up, Down Fenix Media, LLC officially wrapped production on a three-video series for a very large client, who will remain unnamed since I haven’t cleared anything with them, this past Sunday.  We had spent the Saturday before filming at the large Farmer’s Market outside of Greensboro, and then spent two additional days shooting various material at the Arboretum near downtown Greensboro, and one day of interiors at our lead actresses’s apartment.  All days went really smoothly, and it’s a good feeling to have everything in the can on this project.  It’s currently being edited by our resident editor extraordinaire Bryan R. “Higgibaby” (not an official nickname, he will likely punch you if you call him this…he punches me often for it) Higgins.  In other DFM, LLC news, look out for our new (and much improved) Web site coming very soon!

Following those two shoot days over the weekend with DFM, I was back in the office at Inmar Monday morning, and busy with an array of exciting projects we have/had going on.  On Tuesday, I traveled with one of our in-house Communications Writers, our Associate Marketing Manager for Digital Promotions and our Assistant Events Planner, who happened to be pulling double duty that day by also serving as an actress, and headed down to Trailblazers Studios in Raleigh.  There, we were shooting a teaser for our Digital Promotions network, but again I will leave very open ended, because I don’t want to leak too much information….just believe me, exciting stuff!  I was really impressed with Trailblazers, a beautiful and very well-built studio – a rarity for this area!  Also, that day, I was wearing a bit of a different hat than I am used to on set – playing a co-producer/technical advisor role for my company.  It was fun coming at a project from that angle, as I find it exhilarating to try out different roles once in awhile, but my technician side got the best of me a few times and I jumped in to Dolly Grip on a few of the moving shots, since I saw the need arose.

Wednesday, I was swamped in pre-production for another series of three videos, but also part of the same Digital Promotions Network campaign.  We shot this series of three videos with the help of a local LLC, and great bunch of guys, at a perfect location for the stories, the Riverpark at Cooleemee Falls in Davie County, on Thursday and Friday.  Thursday and Friday’s shot lists were completely day exteriors, all 95+ degree weather, so it definitely comprised of some HOT shooting conditions, but everything went smoothly and we popped off the final shots right before we had to leave the location at 4 p.m. Friday afternoon.  In addition to serving as a liaison between Inmar and the contracted LLC for the shoot days, I also got the opportunity to gaff on set, and it was nice meeting and working with the crew and cast on both of those days.

Candid Photo from Thursday’s Digital Promotions Shoot.

Following the grueling heat of Friday’s shoot, I began a five day July 4th staycation, which is finally winding down today.  I’m happy to report that my novel is nearing its final few chapters of the first draft, and look out for some new reviews here on the blog in the coming days.  Thanks for reading and please enjoy a few of the quick production stills I popped off on my iPhone during our shoot days on Thursday and Friday!

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Gear Review: Zeiss Compact Prime .2 Cine Set

20 09 2011

Stock Photo from Zeiss who owns Copyright

Make: Zeiss

Model: CP.2 Set

My use: I ordered the 7 lens set while at UNC-Greensboro.  Primarily, this lens set was to be used for the Panasonic AF-100; however, the lenses were also perfectly compatible with the 7d, 5d and RED One.  In fact, I got the Canon mounts on the lenses, as adapter rings on the AF-100 or RED One would sustain the weight better than on a DSLR.

Average Price: $26,700 (for 7 lens set; they are sold in a 5 lens set or individually as well)

My thoughts: To date, these are my favorite lenses that I have used.  They are compact, precise and an excellent quality of glass.  At UNC-Greensboro, we had a set of RED Pro Primes with the RED One package which included a 35mm, 50mm, 85mm, 300mm and 18-85mm zoom; these Zeiss CP.2 blew them all out of the water.  Not only are they smaller and easier to handle, but more precise in measurements and calibration.  The 7 lens set includes an 18mm, 21mm, 25mm, 28mm, 35mm, 50mm and 85mm prime lenses and two sturdy, well-padded hard plastic carrying cases with rollers.  Though the price sounds high, in terms of good lens cost, it’s actually very reasonable.  If I had the cash on hand and one lens set to buy, it would likely be these wonderful cine lenses.  Though I love Cookes S4s and ARRI Master Primes, these little guys can stand their own and are a fraction of the cost.  If you’re shooting regularly and have the cash on hand, these would be a wonderful investment.

Technical Specs from the Manufacturer (for 35mm Prime as representational of other 6 prime lenses included): 

Mount Interchangeable PL
Focal Length 35mm
Aperture T2.1
Elements/Groups 9/7
Front Lens Diameter 114mm
Minimum Object Distance (M.O.D.) 12″ (0.3m)
Length 3.15″ (8cm)
Weight 2.2 lbs (1kg)

Bottom Line: If you are ready to make the jump to professional grade cine glass, but want to do so at a fraction of the cost in regards to some of the competitors, then I highly recommend the Zeiss CP.2s.  In a perfect world, going with the 7 lens set complete with carrying cases, is a great buy.  But, these are still expensive lenses for small companies and individuals and can be bought separately and built into a nice set over time.  Either way, you will not be disappointed in the sharpness and quality of the image these lenses produce.  Furthermore, you won’t be breaking your back to lug these primes around on set.








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