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Melancholia (2011) Review

16 03 2012

Copyright 2011 Zentropa Entertainments

★ ★ ★ ★ 1/2

The first ten minutes of this film had me quite concerned with what exactly I was getting myself into, but the ensuing film was an immensely intriguing character study.

Defining the synopsis of this movie in detail would be, in my opinion, a rather futile process.  Let’s just say it’s a Bergman-esque family drama via Lars von Trier.  Oh yeah, and there’s a cosmic anomaly that is causing a hidden planet to come dangerously within Earth’s rotational path during the course of the story.  The relationship in question that the story focuses upon are of two sisters, Justine (Kirsten Dunst) and Claire (Charlotte Gainsbourg), who are very different and have a strained, but oddly caring relationship.  Their parents, Gaby (Charlotte Ramping) and Dexter (John Hurt), are equally odd in their own ways and possibly a good explanation for their daughter’s troubles.  Claire is somewhat more grounded than Justine in her marriage to ultra rich, John (Kiefer Sutherland), and with her son Leo (Cameron Spurr), but as the narrative progresses and the strange planet of Melacholia approaches Earth, her defenses seem to be broken down more than Justine’s.

What von Trier has created with this film is an engaging and intriguing look at the psyche of these two sisters as their lives play out during what could be the final weeks of life on Earth.  It seems almost as if the approaching planet of Melancholia triggers an even deeper emotional block for both the sisters as it’s rotation closes in on Earth’s.  Almost every aspect of this film surprised me in how well it works because, as you can tell by the description, it is a pretentious story.  However, unlike the pretentious Tree of Life, which I was completely let down and uninterested in, this film wholly succeeded in keeping my engagement throughout.  I was worried about whether or not the story would take, the direction with its shaky camera movements throughout, the odd characterizations of the primary characters; yet, in the end, almost masterfully so, I completely understood why von Trier made those decisions and it ultimately worked beautifully for the film.

I am still thinking about this film today, trying to pick out and analyze pieces of its meaning, and that is always a sign of a great movie.  It’s a shame that von Trier made that SNAFU comment earlier in the awards season this year, as I feel it took the spotlight away from what is most important – the film itself.  This, in turn, I think took some of the respect this film deserves away, and this movie deserved a lot more recognition than it got.  If you don’t mind a pretentious film and want to see one that is done right, then so far, this is the best one I’ve seen from 2011.

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Silent Film Released in 2011 A Possible Oscar Contender?

27 05 2011

Copyright 2011 La Classe Américaine

This film was recently brought to my attention by a co-worker and I can’t tell you how excited I am to hear about it.  Directed by Michael Hazanavicius, The Artist was completely shot in black-and-white, in Academy Ratio (1.33:1) and is completely silent!  Starring Jean Dujardin, Berenice Bejo, John Goodman, James Cromwell, Missi Pyle and Penelope Ann Miller, the film takes place in 1927 and centers around silent film star George Valentin.  At the dawn of sound, he’s worried his career might fall into shambles; whereas, in contrast, young extra Peppy Miller (Berenice Bejo) sees the transition as an opportunity to propel to stardom.

The film made it’s debut at the Cannes Film Festival the other week and won Best Actor for Jean Dujardin.  In addition, the Weinstein Company have negotiated to bring it to wide release later this year, both domestically and internationally.  Could this film possibly be the first silent film in Oscar contention for Best Picture in nearly 70 years?   Could it be the first silent film to win Best Picture since the beginning of the Academy Awards in 1927 with Wings?  

Being a huge fan of silent films, I can only hope for such happenings.  I can’t wait for the release to see if this film really is as good as so many critics say it is.  In the meantime, I will have to be happy with the trailer, which is available in HD at:








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